Edouard Manet Portrait by: Nadar Year: 1874 |
Impressionism
started in the late 1860s in France, it began by a group of friends – Manet, Monet,
Pissarro, Sisley and Degas. When they used to meet, they used to talk about situations
that were happening in that time. These kind of artists were more interested in
the effect of light than the real scene, that’s why they used to paint outside. They also used to leave strokes visible by which they used to
get criticized for their unfinished work.
During that
time Edouard Manet and friends brought up another revolution, that included the
rendering of colours which is compared to the revolution about representation
of forms, which was brought up by the Greeks. That time the artist didn't want to
exhibit there but they were forced by the jury, people that time went in a
rush to see their work and people laughed at the artist. Because of that Manet
got really annoyed so he went looking for inspiration from the Pre-Raphaelites
to the great Venetians Giorgione to titan and towards the nineteenth century by
Goya.
Some
painters in that time joined to help Manet, among them was a poor young man Claude
Monet from Le Havre. Monet`s idea was that all paintings of nature had to be done
on the spot. He used to paint as the older painters by first applying a brown
base and then continued working with rapid strokes.
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Name: The balcony Name: Group on a balcony Year: 1868-1869 Year: 1810-1815 Artist: Edouard Manet Artist: Francisco Goya This painting is a challenge that he did through inspiration from a painting that Goya did. There are lots of differences between one drawing and another the heads are not modelled in any manner, solid bodies and flat heads. All he wanted to do is to express the shadow and light. |
Name: The Races at Longchamp Year: 1865 Artist: Edouard Manet
In this
drawing Manet wanted to give out the impression of light, speed and movement by
giving out forms emerging out of the confusion.
|
Name: Monet working in his boat Year: 1874 Artist Edourd Manet He visited Monet and he was impressed by the youngs man method so he paintied this as a tribute, by showing Monet while working in his open-air studio |
Name: Gare St-Lazre Year: 1877 Artist: Claude Monet Here in this painting Monet wasn't interested in the railway station but he was amazed from the effects that were coming through the glass roof . |
2000-2014. HeilBrunn TimeLine of Art History [online] Available at: <http://www.metmuseum.org/toah/hd/imml/hd_imml.htm> [accessed on 28th march,2014]
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